Yang Yang is one of the rare films where the filmmakers’ daring use of mise en scene, performance, and cinematography are in perfect sync with each other, resulting in a work so compelling and innovative, I can honestly say I have never seen or experienced anything quite like it before. 

 

With Yang Yang, Cheng Yu-Chieh and his collaborators have achieved an inventive yet completely assured new way of storytelling, and it is both inspiring and humbling to see a young director like Yu-Chieh so in command of his medium.  Even weeks after seeing the film, the stunning opening and ending sequences are still constantly running in my mind…

 Arvin Chen 陳駿霖

7.18.2009

<中文>
《陽陽》是一部導演將大膽的場面調度、演員表現和攝影三者完美結合的少見佳片之一,最後的成品是如此地迷人和充滿新意,老實說這部片帶給我之前從未有過的觀影體驗。

 

在《陽陽》一片中, 鄭有傑和他的伙伴們開創了一種全新的說故事方法。看著像有傑這樣年輕的導演,操作起電影這個媒介卻如此得心應手,這無形中激勵了我,同時也提醒我要更虛心學習。觀賞《陽陽》是好幾個星期前的事了,但那驚人的開場戲和結尾仍然在我的腦海中不斷地重複播放著……

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